In the days when Ashikaga was Shogun there served under him a knight of good family, Kato Sayemon, of whom he was especially fond. Things went well with Sayemon. He lived in what might almost be called a palace. Money he possessed in plenty. He had a charming wife who had borne him a son, and, according to old custom, he had many others who lived as wives within his mansion. There was no war in the land.

Sayemon found no trouble in his household. Peace and contentment reigned. He enjoyed life accordingly, by feasting and so forth. 'Oh that such a life could last!' thought he.

But fate decreed otherwise.


Harada Kurando was one of the leading vassals of the Lord of Tsugaru. He was a remarkable swordsman, and gave lessons in fencing. Next in seniority to Harada among the vassals was one Gundayu, who also taught fencing; but he was no match for the famous Harada, and consequently was somewhat jealous.

One day, to encourage the art of fencing amongst his vassals, the Daimio summoned all his people and ordered them to give an exhibition in his presence. After the younger vassals had performed, the Daimio gave an order that Harada Kurando and Hira Gundayu should have a match. To the winner, he said, he would present a gold image of the Goddess of Kwannon.

Both men fenced their best. There was great excitement. Gundayu had never done so well before; but Harada was too good. He won the match, receiving the gold image of Kwannon from the hands of the Daimio amid loud cheering.

Gundayu left the scene of the encounter, boiling over with jealousy and vowing vengeance. Four of his most faithful companions left with him, and said they would help him to waylay and assault Harada that very evening. Having arranged this cowardly plan, they proceeded to hide on the road which Harada must traverse on his return home.


Several hundred years ago there dwelt in lands of the Hosokawas a widow and her daughter, a beautiful girl of seventeen, named Kazuye. O Kazuye San's father had been foully murdered some six months before, and both Kazuye and her mother had made up their minds to devote their fortune and their lives to bringing the criminals to justice. In these efforts they received no help, but spent the whole of their money, until at last they were almost forced to beg in the street for food. Day after day, however, they continued to pray in the temple for help, and never once lost heart or weakened in their purpose. O Kazuye told her mother that were she fortunate enough to gain the affections of a man, even he should be sacrificed in the effort after vengeance.

One day it came to pass that the poverty-stricken appearance of Kazuye and her mother, returning as usual from praying in the temple, aroused the mirth of a party of roughs, who proceeded to insult them. A handsome young samurai, Okawa Jomoyemon, happened to come along. Drawing his sword, he very soon put the roughs to flight. Having done this, and bowing low, he asked whom he had the honour of serving.

O Kazuye answered for her mother, and quickly recognised that this handsome youth was just such as she had longed to meet, so that he might fall in love and wish to help her in seeking out the murderer of her father. Therefore, not unnaturally, she encouraged him; and he fell in love with her. In the meanwhile an old friend of Kazuye's father, feeling great sorrow for her, had found a place for her in Prince Hosokawa's household; and there she won such favour in the eyes of the Prince (or, as the title then was, Daimio) that the other maids began to be jealous.


otakumag.com

Genre: Japanese Culture, Art, Manga and Film

review in one breath

The latest issue of Otaku Magazine is now available. This one is entitled "Play" and focuses on the themes of players and play in all its manifestations. I've been a fan of Otaku Mag since I first ran across it a year ago. Its dedication to Japan-inspired art and technology is thoroughly entertaining, and its glossy visual presentation sets a very high standard for underground publications.

This issue is being published as a limited release, so if you are interested in ordering it, I recommend you do so quickly. The issue is expected to sell out soon. For info on ordering and the new issue's contents, keep reading.



Space Amoeba
[Gezora, Ganime, Kameba: Kessen! Nankai no daikaiju]

aka "Yog Monster from Space"

Genre: Alien-Spawned Giant Seafood!

review in one breath

An unmanned space flight to Jupiter mysteriously changes route and crashes near a remote pacific Island, bringing with it a mind-controlling alien parasite. But before it can realize its plan to take over Earth, it will have to move up the food chain, starting with squid, crabs and turtles, all the size of skyscrapers and hell-bent on munching the local population. This is the last non-Godzilla film by the Grand-Daddy of Kaiju, director Ishiro Honda!



Under the Carp Banner
[Koinobori hatameku shita ni]

aka "Molester: Obscene Peeping"
[Chikan Waisetsu Nozoki]

Genre: Pinku-Erotic Social Commentary

review in one breath

In Under the Carp Banner renowned/notorious director Kazuhiro Sano creates an impressively explosive clash between Japan's contemporary social momentum and traditional sensibilities, all under the umbrella of an independent erotic (pink) film. While chocked full of sex scenes, this film clearly demonstrates Sano's highly valued contribution to the intellectual trajectory of independent Japanese film and easily justifies his place amongst the "Four Kings of Pink".



Bounty Hunter Vixens: Carnal Enchantment
[Jorou: Ensatsu Rataiken]

Genre: Ninja bOObies and Magical Swords!

review in one breath

After young little Iris watches a seductive buxom witch steal her beloved father's head (!), she picks up his kick-ass demon-killer sword and never looks back. Now, many years later, she is a BOUNTY HUNTER VIXEN, hell-bent on getting the bad guys (and gals). But when she again crosses paths with the shapely, head-pilfering sorceress and her horny zombie horde, it seems she may have finally met her match.... Until, that is, she befriends a hunky Shinto priest and his nubile sister. This is the EIGHTH in the Ninja Vixen series and proves yet once again that plot and quality are irrelevant as long as nekkid bOObies are involved.



Melancholia
[Merankoria]

Genre: DNA-fueled Doppelganger Slasher

review in one breath

Mirai's life suddenly seems headed into the crapper! First, her father throws himself in front of a train, then she has to move in with some increasingly strange relatives, then she starts seeing creepy things to the point of a nervous breakdown, and finally her best friends start showing up bloody red and DEAD. And then the real weirdness starts! This is a made-for-TV horror flick directed by Z-Grade maestro Ezura Takaaki.



Kahimi Karie

カヒミ・カリィ

Sophisticated Lolita Shibuya Sound

Kahimi Karie is an exemplar representative of the ultra-hip "Shibuya-kei", the unique blend of jazz, hip-rock and 60's kitsch prevalent in Tokyo's Shibuya/Harajuku district. Other Japanese bands in this genre include Pizzicato 5 and Fantastic Plastic Machine. Unlike these others, however, Kahimi's vocal style, which is simultaneously childish and seductive, sky-rocketed her to instant stardom, resulting in several gold-hit singles and several albums. Not only does she maintain her superstar status in certain contemporary sub-culture scenes, but soon youth and geeks throughout the globe will be mesmerized by her charms through her lyrical role in the latest Japanese (read international) video games.


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